It’s been a while since the last #KindleCountdown Deal. The ten titles listed below will start selling at $0.99 and over the course of the weekend prices will count down to the full price. SLAUGHTER, sequin star and The Murder of Vincent van Gogh are particularly pricey books ordinarily, so if you don’t already have them, now is your chance. Or why not try something new like Indefensible [about convicted triple axe murderer Henri van Breda] or NEVEREST – an analysis of the ’96 Everest Disaster from a true crime perspective.
The latest review, posted yesterday [December 27th], is the 7th straight five star review for RAPE OF CASSANDRA. RAPE OF CASSANDRA is currently a #1 Bestseller in the Trial Practice category on Amazon, and #18 in the Hoaxes & Deceptions category.
One reason, I think, for the strong ratings, RAPE OF CASSANDRA is by far the most voluminous of the four books currently available in the series, and for that reason it’s also the most expensive.
While writing RAPE OF CASSANDRA the intention was to cover essential narrative territory, including the status conference [when the plea deal was announced] and the sentencing hearing. The idea was not to drill into the discovery. I wanted to leave that for the fifth book in the series. In the end, I decided to do some analysis from the discovery dump, simply because the books are meant to be the most current narrative available when they come out, so to not refer to the discovery in some detail would be a failure to do due diligence.
Unfortunately, dealing with the discovery meant sacrificing a fair amount of trial coverage and analysis. Even so, the discovery is only glimpsed at in RAPE OF CASSANDRA. The fifth narrative focuses entirely on the discovery; analyzing, filtering and organizing the information in an effort to make sense of it. That analysis goes way beyond the superlight coverage here on CrimeRocket.
RAPE OF CASSANDRA’s high rating isn’t bad, especially considering the string of poor reviews for the first book that have been coming through of late.
Many of the complaints about the first book are from folks who are only coming into the narrative now. The complaint is that there’s nothing new in the first book. Personally, I don’t think that’s true, especially the narrative around the dogs which even the Discovery Documents don’t deal with in detail, and much of the information around the dogs is muddled and unclear.
When the first TWO FACE was published on September 10th, the information and the chronology was brand new. The power of the first narrative – in my view at any rate – lies in its prescience. The crime scene and execution of the crime was intuited and three books later, many of those original intuitions still appear to hold water. So the complaint that the first book was written “too early” misses the point – it was intended to be written early for two reasons:
1. To meet the demand of regular Rocket Science [originally #Shakedown] readers who have come to expect and rely on rapid delivery of true crime narratives.
2. To test and challenge my ability to fathom a brand new case while being mostly in the dark about many, if not most aspects of the crime, crime scene and characters involved.
So, to be fair, the first narrative ought to be evaluated within those parameters.
It should also be mentioned that in order to enjoy these books, to get the most out of them and the series as a whole, it’s important to catch the narratives as soon as possible after they come out. Besides being the first narratives to bite at the various cherries in this case, many of the links referred to work early on, but over time are sometimes removed by the original source. That is one reason why CrimeRocket exists. It serves as an archive of content – including photos – for the narratives to refer to, without the risk of them being removed months or years later.
Fast. That’s the short answer to why virtually all the True Crime Rocket Science books are available exclusively on Amazon Kindle. They’re researched and written quickly, they’re published quickly, and readers often devour them overnight, or within a few days.
Note: Scroll to the end of this article for instructions on how to download the Kindle App, and what Kindle Unlimited involves.
Although some readers maintain that they were so gripped by a particular Rocket Science narrative they read it “in one sitting”, that’s not how they’re meant to be read. Each narrative is peppered with hundreds of links – links to videos, links to photos, links to reinforcing research material, links to news stories, links to an archive of maps, graphs, drawings and diagrams all specifically created to add another layer of meaning to a particular story.
Some readers race through the books to get an overview of the latest insights, and then read it through a second time, slowly, meticulously going through the labyrinth of interactive possibilities that’s only possible through the digital platform.
Just How Fast Are We Talking About?
A book of around 30 000 words [equivalent to about 30 above-average-length magazine articles] takes around ten days to research, write, edit and publish, with by far the bulk of those ten days spent writing.
This involves dawn to dusk work, and usually during the end push, dusk till dawn all-nighters until the product is done and its name is in lights under the Amazon banner.
Most books take longer though, between two and three weeks, and can vary from 30 000 words to over 200 000. A good example of two monster narratives that are closer to the 200 000 mark are SLAUGHTER[522 pages] and sequin star [820 pages]. As you can see, both books are also three times the price of their more compact counterparts, but still less pricey than a paperback would be.
In the same way they take longer to write, they take longer to read. Often, when I’m busy with a long book, readers will contact me to ask what’s taking so long before the next book comes out.
Sometimes a book that takes three weeks to write and edit is read within a day or two by the most ardent true crime addicts. And then they want more. So it makes sense to write shorter books as a part of an ongoing series. More on that in a moment.
What Are The Benefits of Fast Writing to the Reader?
The secret of good writing, every great writer will tell you, is to write fast. Writers and painters try to be discreet about this because of the stigma that something that is done quickly is rushed, not properly conceived and thus inferior.
But how fast is fast?
Stephen King reckons a first draft should take no longer than three months. In other words, three months at most. King is also referring to a 180 000 word fiction story, which is roughly three-times the average length of a Rocket Science book. King also has a wife and family, and is part of the old guard of authors still writing books for print publishers.
In many ways, non-fiction is easier to write than fiction because one is bounded by reality. But whether writing fiction or non, what matters – and what makes the difference between great craft and crap – is how inspired the writer is.
Vincent van Gogh executed his artworks within hours, and as a result, painters like Paul Gauguin turned their noses up at him. Today Van Gogh’s work is counted as the most valuable art in the world. It’s not about speed, see, it’s about passion. It’s about inspiration. Show me a writer or artist who spends years on end working [slaving] on their magnum opus, and I’ll show you a piece of crap at the end of that road.
The Marvel Cinematic Universe is a topical example of how modern technology, computers and inspired minds can churn out an excellent series of interrelated narratives, all of which are coherent, entertaining and tie-in to one another.
Marvel’s first film, Ironman, was released in 2008. In ten years Marvel have produced twenty feature films at an average rate of two films a year. Are Marvel’s films rushed, inferior or lacking in any way?
Fast writing reads better, but it also allows both the writer and reader to be caught up in the magic and power of the story.
How does a series work?
True crime happens fast. The Chris Watts case is a good example. Bringing a book [and supporting blogs] out in real time is just far more potent, compelling and allows for a consistent narrative than the traditional way – when a book appears six months to year after the verdict, or when a television channel provides coverage…until they don’t.
Most of my series work chronologically through the entire true crime narrative. For example, the Hopespring Chronicles [Casey Anthony] and the Amber Alert trilogy [on the Scott Peterson case] begin just prior to the crime and then circle outward, not only following the aftermath of the crime, but studying the events leading up to it in ever greater detail.
In the Hopespring series, the first book deals exclusively and meticulously with the 31 days when Caylee Disappeared. That’s its entire focus. The next book in the series deals with the first month of the five month search. No other narratives deal with these cases in such lazer-focused detail, and as a result, a smorgasbord of new insights are invariably brought to light.
The JonBenet Ramsey series is similar, but not quite the same. Although The Craven Silence series deals with the evidence chronologically, the narrative is coming from a place where it’s trying to figure out the case as it goes along. In a real sense then each successive trilogy is chronological yes, but also built on the revelations and theories of the previous series. This is why it’s recommended the reader reads a series in chronological order. The books build towards a denouement, but also develop a finely-tuned hypothesis along the way. To buy the final book in the series misses the point of the true crime journey, and how one navigates it. The final book will also be somewhat jarring if you’re not familiar with the terrain that’s been covered and considered to be “conventional wisdom”.
But Does Fast Mean Rushed?
Are the books full of errors, riddled with typos etc? The chapters are about as clean and error free as this blog post, and all the others on this site. The writing comes from the discipline of magazine journalism, which is done on spec, to a deadline and with a particular message and goal in mind. That craft translates through all the Rocket Science books and blogs.
Although the narratives are thoroughly spell-checked and edited, and re-edited by an editor at large, small errors do creep in. It would take around another week to two weeks painstaking word-for-word reading to weed out these mistakes. Occasionally I do review older narratives and republish them as 2nd or 3rd editions. The Neverest series is a good example of this.
Readers are welcome to contact me to alert me to mistakes, which can be immediately corrected and uploaded as a more polished second edition, however I try to make sure each narrative is as clean, clear and error-free as humanly possible.
What if I choose the print version?
Do you really want to wait a few days, and pay for postage, when you could start reading immediately?
True crime lends itself to photos, reports, maps, interviews and news reports. An interactive narrative means you’re able to see – and often hear – what the narrative refers to.
Even so, a few narratives are also available in print, but the reader is strongly advised NOT to buy the print version. The Murder of Vincent van Gogh is an excellent example of this, because the quality and volume of the interactive links provides so much more value and utility than the print version.
With a paper book you’re just not going to get the full, authentic experience because there are no images, no documentaries to click-through to, and no maps showing the crime scene of the ill-fated artist.
We’re living in a time when cutting down a tree to print a book is no longer something we should do in good conscience, especially when there are cheaper and more environmentally friendly alternatives.
Isn’t your work self-published, and inferior quality?
The truth is, I have gone the route with a “proper” print publisher. The book took almost two years to edit, not because it was littered with errors, but because the publishers have a conveyor belt of other titles to deal with and it moves EXTREMELY slowly. If there are any changes to be made then the conveyor slows down even more. For these pains, the publisher also lops off the majority of money your book is likely to earn. Besides that, the editors don’t really care about your work, and don’t really bother with much besides whether the grammar is basically sound.
The quality is subjective, I think. I’ve been published in many magazines where the work is published virtually word-for-word [a decent magazine journo is expected to deliver his work already edited]. The only difference then is that a story is under the brand of GQ or CAR magazine as opposed to under one’s own brand.
So Where Do I Sign Up to Download the Kindle App?
To read a Kindle book on your phone, computer, iPad or other digital device, you’ll need to download the free app.
Any questions on KindleUnlimited or anything else? Post your question in the comments field below.
In POST TRUTH, the 100th True Crime Rocket Science [TCRS] title, the world’s most prolific true crime author Nick van der Leek demonstrates how much we still don’t know in the Watts case. In the final chapter of the SILVER FOX trilogy the author provides a sly twist in a tale that has spanned 12 TCRS books to date. The result may shock or leave you with even more questions.
SILVER FOX III available now in paperback!
“If you are at all curious about what really happened in the Watts case, then buy this book, buy every one he has written and you will get as close as humanly possible to understanding the killer and his victims.”- Kathleen Hewtson. Purchase the very highly rated and reviewed SILVER TRILOGY – POST TRUTH COMING SOON.
TCRS MERCH available now – just in time for Christmas!
Book 5 – ALL NEW! “I have thoroughly enjoyed this audiobook…” – Connie Lukens. Drilling Through Discovery Complete Audiobook
Read the entire 9-Part TWO FACE series, the most definitive book series covering the Chris Watts Case
Visit the TCRS Archive of 100 Books dealing with all the world’s most high-profile true crime cases.
Join the TCRS Community on Patreon for as little as $1 per month. Multiple daily posts, interesting discussions, amazing audiobooks narrated by the author, ongoing series and powerful, informative weekly podcasts.
Subscribe to the Growing TCRS YouTube Channel
Book 4 in the TWO FACE series, one of the best reviewed, is available now in paperback!
“Book 4 in the K9 series is a must read for those who enjoy well researched and detailed crime narratives. The author does a remarkable job of bringing to life the cold dark horror that is Chris Watts throughout the narrative but especially on the morning in the aftermath of the murders. Chris’s actions are connected by Nick van der Leek’s eloquent use of a timeline to reveal a motive.”