There’s a saying by English journalist Rudyard Kipling, author of Jungle Book, that goes:
“If you can keep your head while all about you are losing theirs…you’ll be a man, my son.”
Right now a lot of people are losing their heads [some are losing their minds too] on the Chris Watts case. After three months of virtual silence in the media, with the exception of the DA breaking its silence to have no comment on Kessinger’s first search for Shan’ann Watts in 2017 [December 10] and HLN’s recent publication of the doorbell footage [February 20], this “Second Confession” in March is the third major story.
It should be noted that our first peek at this story, and that’s all it really is – a glimpse – comes not from the Rzuceks [who are not terribly articulate] but through their lawyer Steven Lambert.
And it should also be noted that this isn’t a firsthand account, it’s either a second-hand account [meaning, Lambert was potentially in the room], or more likely a third or fourth hand account [via law enforcement, via the Rzuceks and then via Lambert].
We should also note that the media coverage at the moment is intended to sell a particular slot on a particular talk show. It plays like the teaser to a movie. In other words, it’s not exactly True Crime Rocket Science, it’s the tabloid shit that swills around cases like this.
The three screengrabs below are taken from a story published by the Daily Mail on March 5th. I’ve referred to the same story on the title page with some additional fact correction. It will be far more useful to deal with the police reports and analyze the audio, and that will likely be done exhaustively in a narrative [the audio is apparently 5 hours long].
But since we have what we have, let’s see what we can work with, and hopefully for those reading this who are also going to watch the show this evening, you guys can come back with a cogent sense of fact versus fiction still intact. Without further ado let’s unpack the coverage thus far.
1. A Fourth-hand Account
Steven Lambert, apparently, will appear on the show, the Rzuceks family lawyer. A lot of what is going on right now is the lawyer trying to win a civil claim for damages on behalf of the victim’s family, or in common language “get as much money as he can for his clients [not forgetting himself]”. I remember very early on the media reporting that they were lodging a civil claim to prevent Watts from making money from the murders, for example through writing a book or selling his story. Well, that means the Rzuceks have virtually the exclusive rights to do that [make money telling and selling the story].
This strategy came to fruition recently as published on Inside Edition on February 19th.
And here’s the story from November 27th, reporting on what happened 8 days earlier. Notice how the lawyer talks about “making millions”.
The public should ask Dr. Phil how much he paid for this story, and evaluate the payment with the merits of what’s being peddled as “true” crime. Whatever your answer, that will give you some idea of the honesty and integrity of all the folks involved.
Now, back to the fourth-hand account. Let’s drill into the import of these claims:
It started with Shanann threatening to keep their children from him after she learned of his affair, and ended with the mom and both daughters dead.
Bella reportedly spent her final moments begging her father to spare her life.
So if I understand English, the basic scenario here is a family argument? The family argument starts with Shan’ann threatening her husband, presumably to get him back after he confessed to her about the affair. But that’s not how it happened [just in the strict terms of this statement]. It started as Watts telling his wife of the affair, and then Shan’ann threatening to keep their children from them. And then [again this is outside the chronology of the way the paragraph is written] Bella begs for her life and then we’re left in suspense. Did he kill her right there?
So to simplify, this is the claim:
Watts confessed [to an affair].
Shan’ann threatened [to fight custody].
Bella begged [for her life].
Essentially these are three conversations or communications that end in a violence, brutal [to use the word in the article] triple murder. And yet no one hears a sound. When Watts tells his wife about the affair, does he whisper and Shan’ann whispers back? When Shan’ann threatens him, does she whisper? When Bella sees her mother dead, dying or murdered, does she beg for her life quietly?
We’ve also got an interesting flipping around of Watts’ original scenario. Remember how he came up stairs and caught Shan’ann strangling/smothering Ceecee? Now it’s Bella coming into the room and catching him doing it.
I don’t want to go into it into too much detail right here, but even the first contention is fucking preposterous. So…Chris Watts told Shan’ann he was having an affair? He just told her? Because that’s the kind of guy he is right? He’s a truth teller. Why would he tell her this at 02:00 or 04:00 in the morning when she’d had little or no sleep? Shan’ann didn’t want to wake him up and talk to him that night, although there was a lot she needed to talk about. And of the two, who was the more confrontational and talkative? So the idea that Watts told his wife the truth, and that’s what set the cat between the pigeons is patently ridiculous. But if you don’t know the people in this story you might think it makes perfect sense.
2. Not one fight, not one argument but two…
So here we already have an adaptation of the first scenario, except it’s a double conversation. Fuck me, we’re running out of time! So was the first fight, making up and getting on really well in the first ten to fifteen minutes after Shan’ann arrived home? And that was also a quiet fight in which the children weren’t roused and the neighbors didn’t hear anything. What was that fight about?
Later on [an hour later, two hours later?] they get into a second fight and this time Watts confesses to the affair. At the same time he says he wants a divorce. Shan’ann tells him [I guess this is the “threatening”], “Well, you’re not going to see the kids again.” Like that, that’s how she says it. In other words, the conflagration that ends in triple murder starts off with Shan’ann calmly saying the word “well”. She says it.
Lambert then emphasizes that it was because of this “conversation” [he uses the word conversation] Watts strangles Shan’ann to death. That’s strange because they’d been texting for weeks about not being compatible and and possibly getting a divorce, and to him and to her friends Shan’ann didn’t mince words. Shan’ann wasn’t once to mince words. It was “fuck him” and “fuck that” but in spite of it, she was fighting to keep the marriage, and why wouldn’t she, she was pregnant. She couldn’t afford to raise the kids by herself, and he couldn’t afford to move out and live on his own either [and he knew it].
There are more sparks between Watts and his wife in their texts than in this silent night climax that leads to violent death. There are more sparks in a meltdown over nuts, than in an affair, divorce and murder.
3. Bella walked in and asked…
We also get a silent re-examination of Bella’s last words. Now she’s not begging, now she simply asks [presumably in a soft voice that can barely be heard]: “What are you doing to Mommy?”
In the dozens upon dozens of videos, there are some where we can hear the children shouting. Bella was distressed about her sister not waking up, and probably missed her mother that night in particular, seeing as though they’d bonded over two weeks. And so in this scenario, she “asks” her father a question?
A real scenario involving a child witnessing the murder of their mother would sound like this:
Posted by Shanann Watts on Sunday, December 24, 2017
And where was Rampage when all this silent ruckus was happening? Where was Deeter?
Mother’s Day wouldn’t be complete without a tantrum! 😆🤣😂
Posted by Shanann Watts on Sunday, May 13, 2018
It’s classic that the Rzuceks decided to accept the plea deal out of mercy for Watts, and to spare themselves the discomfort and the spectacle of a trial, and then three months later, here they are celebrating and endorsing and passing on [essentially] this disclosure worth millions to the highest paying media about how their daughter and grand daughters were murdered. This is closure? Financial closure sure.
Ironically that was Watts’ motive too when he wanted to move on with his life.
There is something particularly troubling and psychopathic [not I word I often use] about this easy peasy, loosey goosey spinning of straw [dead bodies] into tabloid gold. If it was genuine justice, a true confession and actual contrition that would be one thing, but it isn’t. And look how many people are in on this ruse. The family. The lawyers. The media. We are all unthinking, unfeeling, unconscious monsters.