This footage provides an excellent contextual sense of the sights and sounds of the neighborhood beyond the big brown house on Saratoga Trail. Note the pumping jack near the estate at 24:47.
https://youtu.be/ytnZXBCI2fA












True Crime Analysis, Breakthroughs, Insights & Discussions Hosted by Bestselling Author Nick van der Leek
This footage provides an excellent contextual sense of the sights and sounds of the neighborhood beyond the big brown house on Saratoga Trail. Note the pumping jack near the estate at 24:47.
https://youtu.be/ytnZXBCI2fA






















At 19:32 in the audio clip, Brown mentions the day Watts announced his wife was pregnant for the third time at work. When he congratulated Watts privately, Anthony Brown confided that his own wife had suffered three miscarriages. Watts offered – or implied to offer – to give Brown his child, if it was a girl.
He also witnessed Watts and Kessinger at work standing “extremely close” to one another. He said this happened “five months ago” in an interview dated August 30, 2018.




Now you don’t see me. Now you do. Through the excellent and seamless bodycam video of Officer Coonrod – the first responder – entering the home with Chris Watts, we’re provided with our best first look at the crime scene just after 14:00 on August 13th.
Watts leads a small retinue reluctantly in his home. He isn’t quite done with tying the loose ends of his crime scene, and he didn’t expect the cops to be inside this soon. Even so he’s had the time before departing to work, and about 1 minute before letting them into the door, to do most of the heavy lifting. Most, but not all.
The handbag was one of the things Watts didn’t get around to dealing with.
On Officer Coonrod’s first flyby through the crime scene, Watts leads him, Nickole and Nicolas straight to the kitchen, wheels around and scoots off to the basement [to let Deeter out].
The first time I watched this footage I was looking out for Deeter, the suitcase, the basement, the setup of the windows and the carpet at the base of the stairs. What I missed was the trash can in the kitchen and – yes – the handbag.
On Coonrod’s first entry into the kitchen it’s not there.






But when Detective Baumhower and Officer Matthew James arrive, the handbag has miraculously floated to the island in the kitchen [apparently from Shan’ann’s study], and the counter itself has sprouted a theme of its own – a red and yellow flower in a vase, a red water jug, a jar of pickles and the handbag.












The book from Amazon is subsequyently fished out the trash, and the sheets and pillow cases pulled out as well.








The busy kitchen counter reminds me, frankly, of the kitchen counter in the Ramsey home, which also saw objects coming and going during the course of “kidnapping phase”. The devil is in the detail.
Credit goes to TCRS commenter JC for picking this up.
The premise in the TWO FACE trilogy has been:
But the trilogy was written months before the Discovery Documents came out. The trilogy was written before it emerged what clothes Shan’ann was buried in, or the 02:30 credit card purchase, or the stains on the sheets dumped into the trash were revealed.

So do the scenarios presented in the first three books still hold up now that we’ve seen the inside of the house in vivid video detail? Thanks to the latest release of evidence, we’ve been able to see into the crime scene literally hours after the cover up was completed, through the eyes of Officer Coonrod on the 13th and Officer Katherine Lines [the dog handler] on the 14th [after Watts had time to do more cleaning and covering up].
With RAPE OF CASSANDRA, the 4th book in the TWO FACE series, I’ve been able to integrate vital aspects within the enormous tranches of Discovery Documents and video and audio of the actual confession. These insights have moved the narrative forward, allowing for the fine-tuning of the original hypothesis.
For example, there’s an important clue in the screengrabs below that shows Watts wasn’t only lying about Shan’ann killing the children [that part of his so-called “confession” is false], but he was also manipulating his interrogators in terms of telling them when and how he killed Shan’ann.
Can you see where that it and why that is?

















































AVAILABLE NOW ON AMAZON.COM







Earlier on Monday afternoon, while standing in the alcove near the stairs with Deeter sitting in a pool of sunlight behind him, Officer Mark James offered Watts his card and suggested Watts call him if anything came up.
[Scroll down to the bottom for the video of the call.]





By 21:00 that evening Watts hadn’t called the cops to report anything, or to ask for anything. So Officer James called him.
This call was made prior to Watts’ Sermon on the Porch the next morning. It was effectively Watts’ first version where he explained both the trip to North Carolina and how that may have led to their “separation” taking effect that morning and Shan’ann’s disappearance shortly afterwards.
When Watts refers to separation we assume he means separation, but Watts is really using this word symbolically [in terms of his own psychology] as a euphemism for death. He knows it’s a permanent separation. But in his own mind, separation is a nice safe term to acknowledgesboth worlds, the fictional world he’s selling and the reality change in his circumstances [wrought by him].
He uses the same symbolic euphemism to the FBI when he tells them “I only hurt her emotionally…” and later, when acknowledging the murder itself: “She hurt them so I hurt her.”


She hurt them -> I killed her -> [Father does a double-take at the word kill] -> I hurt her
Intuitively Watts seems to be talking about his parents here. She hurt them [during the tree nut meltdown] and so he killed her. He’s telling his father this, and saying because she hurt them, he “hurt” her. It sounds reasonable except when you replace the word “hurt” with murdered, and the fact that he murdered both his daughters too, it’s not reasonable in the least.
But this sort of bald-face lying, tailoring and customizing of a version to make it sound just right isn’t new to true crime though. It’s classic to true crime.
What this shows is how a murderer tries to minimize his actions, and his words, by softening them, just as evidence is softened, minimized, concealed, covered up or lawyered into oblivion.
Interestingly, during the almost seven minute long phone call, the first number Watts gives Officer James is Addy Molony’s. These are supposed be friends Shan’ann may have left with the kids to be with. But Addy doesn’t even live in Colorado. The third name he gives the officer is Cristina Meacham. She’s in Hawaii!
In the end he only gives James four names, and each name is like pulling teeth. Officer James nevertheless follows-up by calling each of the four names Watts has pulled out of a hat. Through them, a portrait of what’s really going on gradually pixelates into something sharper and more specific.
An affair. Facebook deleted on Thursday. Did not want baby.
















In the phone call Officer James also asks Watts to elaborate on their marital problems. Watts makes three very big statements in response to James’ open-ended question:
“I could never really be myself…”
“She could never see me…”
“Right now it’s hard to be in this house right now…”
Notice too the shocked, pregnant pause and awkward response when James asks him point-blank if he’s having an affair right at the end of the telephone interview.
https://youtu.be/OZtMwnAY5SA
https://youtu.be/Y3gMAXz5-qI

Did Watts make an improptu Dexter-style kill room [or processing room] in the basement?

We know the cadaver dogs smelled something in the basement, but whatever it was, it was a weak alert. We also know all three bodies moved through the garage and were loaded into the back of the truck. So even though we know for sure the bodies were in the truck, the cadaver dog only showed mild interest in the truck. What that shows is the bodies were well-insulated from the outside world.


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